Kirsten Pieroth
Born 1970, Offenbach a.M., Germany. Lives and works in Berlin
Selected Solo Exhibitions
| 2013 | Menu, Kunstverein Nürnberg, Nürnberg, Germany |
| 2012 | Taste of Great, Galleria Franco Noero, Turin Office Baroque, Antwerp |
| 2011 | Supportico Lopez, Berlin |
| 2010 | Perspectives 172, Contemporary Arts Museum, Houston Dépendance, Brussels |
| 2009 | silberkuppe, Berlin ..., Objectif Exhibitions, Antwerp LWL-Landesmuseum für Kunst- und Kulturgeschichte, Münster |
| 2008 | Passengers, CCA Wattis Institute, San Francisco |
| 2007 | Klosterfelde, Berlin |
| 2006 | Display, Prague |
| 2005 | Secession, Vienna Cubitt, London (with Henrik Olesen) |
| 2004 | Contemporary Art Gallery, Vancouver |
| 2003 | From the Laboratory of Thomas A. Edison, Portikus, Frankfurt a.M. I regret that a previous engagement prevents me from accepting your kind invitation to dinner at your home, on Thursday evening, September seventeenth, Klosterfelde, Berlin |
| 2002 | Mellemdækket Projektrum, Charlottenborg, Copenhagen Galleria Franco Noero, Turin (with Henrik Olesen) |
| 2001 | Helga Maria Klosterfelde, Hamburg Sparwasser HQ, Berlin (with Kirstine Roepstorff) |
| 2000 | Klosterfelde, Berlin rraum, Frankfurt a.M. |
| 1998 | Project space Daimlerstraße, Frankfurt a.M. (with Anke Weyer) |
| 1996 | rraum, Frankfurt a.M. |
Selected Group Exhibitions
| 2013 | I knOw yoU, IMMA, Dublin, Ireland Better Homes (curated by Ruba Katrib), Sculpture Center, New York, USA When Attitudes Became Form Become Attitudes, Museum of Contemporary Art, Detroit, USA A Space Called Public (curated by Elmgreen & Dragset), Munich, Germany |
| 2012 | Chains, Horse, Berlin, Germany curated by, Galerie Andreas Huber, Wien, Austria The Imminence of Poetics, 30th São Paulo Biennial, Sao Paulo, Brazil When Attitudes Became Form Become Attitudes, CCA Wattis Institute for Contemporary Arts, San Francisco, USA Variationen über ein Thema, Studio International, Leipzig, Germany Magic Love Trade Objects, Salon international d’art, art genève, Geneva, Switzerland You Know?, Altman Siegel, San Francisco, USA Who Am I? What Am I Doing Here?, Shanaynay, Paris |
| 2011 | Under Construction, Coleção Teixeira de Freitas, TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife, Canary Islands Power to the People, ACCA Australian Centre for Contemporary Art, Melbourne Untitled, 12th Istanbul Biennial, Istanbul Life A User’s Manual, Galerie Meessen De Clercq, Brussels Ha Ha Road, Quad Gallery, Derby / Oriel Mostyn Gallery, Llandudno Seeing Things, Kleine Humboldt Galerie, Humboldt Universität, Berlin segalega, Galleria Gio Marconi / Galleria Zero, Milan Please go around the construction area by the lights and over the traffic island (and other stories), Kunstverein Schattendorf |
| 2010 | Trailer Park, Teatro Margherita, Bari Five Easy Pieces, Galleria Franco Noero, Turin Untitled, NGBK, Neue Gesellschaft für Bildende Kunst, Berlin Huckleberry Finn, CCA Wattis Institute, San Francisco Novel, Dépendance, Brussels Von realer Gegenwart: Marcel Broodthaers heute, Kunsthalle Düsseldorf Le Dernier Roman Du Monde, Supporticolopez, Berlin In Which the Wind is also a Protagonist, La Générale, Sèvres Under One Umbrella, Kunsthalle Bergen Gallery, Galerie, Galleria, Norma Mangione Gallery, Turin |
| 2009 | Gargarin: The Artists in their Own Words, S.M.A.K Stedelijk Museum voor Actuele Kunst, Gent Klosterfelde, Berlin Scorpio’s Garden, Temporäre Kunsthalle, Berlin Moby Dick, CCA Wattis Institute, San Francisco Fri Porto, Den Frie Centre of Contemporary Art, Copenhagen Little Theatre of Gestures, Museum für Gegenwartskunst Basel / Malmö Konsthall 7 × 14, Staatliche Kunsthalle Baden-Baden Friends Of The Divided Mind, Royal College of Art, London |
| 2008 | This Is Not A Void, Galeria Luisa Strina, São Paulo Art Focus 5, Congress Center, Jerusalem abc, Ehemaliger Postbahnhof am Gleisdreieck, Berlin Jahrgang Rausch, Atelierfrankfurt, Frankfurt a.M. When a clock is seen from the side it no longer shows the time, Galerie Johann König, Berlin Home is the Place you Left, Trondheim Kunstmuseum, Trondheim Uovo Open Office, Uovo Magazine, Basel X Wohnungen, Neukölln, Theater Hebbel am Ufer / Hau, Berlin Participation, Galerie Martin Janda, Vienna Yes, No & Other Options, Art Sheffield 08, Sheffield Passengers, CCA Wattis Institute, San Francisco |
| 2007 | In Attesa Di Risposta, Supportico Lopez 32, Naples Curiosities Encountered, Grieder Contemporary, Sils-Maria Die Sammlung Rausch, Portikus, Frankfurt a.M. Learn To Read, Tate Modern, London Made in Germany, Sprengel Museum Hannover Romantischer Konzeptualismus, Kunsthalle Nürnberg / Bawag Foundation, Vienna Conditions of Display, The Moore Space, Miami Door slamming festival, Mehringdamm 72, Berlin Société secret, Le Plateau, Frac Ile-de-France, Paris Absent without leave, Victoria Miro Gallery, London Tricky, Galeria Estrany-De La Mota, Barcelona Elephant cemetery, Artists space, New York |
| 2006 | Subito Sera, Galleria Zero, Milan The Clinic. A Pathology of Gestures, Theater Hebbel am Ufer, Berlin pigment piano marble, Buenos Aires When the moon shines on the moonshine, The Breeder, Athens Auflösung III – Entgrenzung, NGBK, Neue Gesellschaft für Bildende Kunst, Berlin 1/60 Insurgent space, Tirana The Show will be Open when the Show will be Closed, Store, London On the move, Westfälischer Kunstverein Münster Objet à part, La Galerie de Ville de Noisy-le-Sec Poor man's expression, Cinema Arsenal, Atrium, Berlin Wrong, Klosterfelde, Berlin |
| 2005 | En Route: Via Another Route, Trans-Siberian Railway, Moscow - Beijing Information / Transformation, Extra City, Centrum voor Hedendaagse Kunst, Antwerp Not a Drop but the Fall, Künstlerhaus Bremen No competitive offers, Artis, Hertogenbosch The Need to Document, Kunsthaus Baselland, Muttenz/Basel Monuments for the USA, CCA Wattis Institute, San Francisco |
| 2004 | Drafting Deceit, apexart, New York Gelegenheit und Reue, Grazer Kunstverein Never Never Landscape, c/o Atle Gerhardsen, Berlin Beuys don’t cry, Galleria Zero, Milan Manifesta 5, Donostia – San Sebastian Socle du Monde, Herning Kunstmuseum, Herning Tätig Sein, Neue Gesellschaft für Bildende Kunst, Berlin This much is certain, Royal College of Art, London Cremers Haufen, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster Mix Max, Art Sonje Center, Seoul Side Effects, Museum of Contemporary Art, Belgrad Prisma, Raum aktueller Kunst Martin Janda, Vienna |
| 2003 | Adorno, Frankfurter Kunstverein Spectacular: The Art of Action, Museum Kunst-Palast, Düsseldorf Utopia Station, 50th Venice Biennial (with Henrik Olesen) Frankenstein, Tanya Bonakdar Gallery, New York GNS. Global Navigation System, Palais de Tokyo, Paris Open Studios, Townhouse Gallery, Cairo |
| 2002 | Haunted by Detail, De Appel, Amsterdam The Berlin Files, De Chiara Gallery, New York |
| 2001 | retur, Bar project, Copenhagen Tirana Biennial 01, Tirana Efterårsudstillingen, Charlottenborg, Copenhagen |
| 2000 | IASPIS Galleriet, Stockholm |
| 1999 | Ausdruck und Sinnbild, Phantombüro, Frankfurt a.M. Otto hat Besuch, OTTO, Copenhagen c/o Rathenaustraße, Offenbach a.M. |
| 1998 | Stuttgart, 17.7.1956 – Salem (Wis.)/USA, 3.3.1977, Portikus, Frankfurt a.M. |
| 1997 | International Bookfair, Frankfurt a.M. Downtown, Städelsches Kunstinstitut, Frankfurt a.M. |
| 1996 | Sommerpause, Kunstverein Offenbach |
| 1995 | Wir begegnen uns nicht zufällig, Haus am Lützowplatz, Berlin |