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Fleming Faloon

DARREN BADER, MATTHEW BRANNON, GUILLAUME BIJL, TALIA CHETRIT, JAMES ENSOR, CAITLIN KEOGH, CHRISTOPHER KNOWLES, ROSA LOY, OWEN LAND, WALTER PRICE, TYSON REEDER, MIMMO ROTELLA, ATARU SATO, PAUL SIETSEMA, SOPHIE VON HELLERMANN
1 June 15 July 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

Paul Sietsema
Sign Painting, 2017
Acrylic on canvas over aluminium
195,3 × 121,9 × 3,8 cm (76 7/8 × 48 × 1 1/2 inches)

Matthew Brannon
The first night after the last, 2014
Serigraphy and letterpress on paper
64.8 × 49.5 cm (25 1/2 × 19 1/2 inches)

Mimmo Rotella
Angoscia, 1960
Décollage on canvas
32 × 43 cm (12 1/2 × 16 7/8 inches)

Guillaume Bijl
Sorry, 2015
Mixed media
170 × 120 × 40 cm (66 7/8 × 47 1/8 × 15 5/8 inches)

Darren Bader
to participate; I thought to make the most of it
Dimensions variable
Edition of 1 + 1 AP

Owen Land
Fleming Faloon, 1963-64
16mm, color, sound
5mins

Sophie von Hellermann
Portrait of Newton Whitelaw, 2017
Acrylic on canvas
66,5 × 61 cm (26 1/8 × 24 inches)

James Ensor
Untitled
Grafiet op papier
51 × 40 cm (20 × 15 inches)

Talia Chetrit
Untitled (Stare), 2016
Edition 1 of 4 + 2AP
Inkjet print
53,3 × 44 cm (72 3/4 × 26 × 31 3/8 inches)

Tyson Reeder
Untitled, 2017
Mixed media on paper
43 × 35 cm (16 7/8 × 13 3/4 inches)

Tyson Reeder
Untitled, 2017
Mixed media on paper
43 × 35 cm (16 7/8 × 13 3/4 inches)

Walter Price
Black iris 11, 2017
Graphite and color pencil on paper
22,9 × 30,5 cm (9 × 12 inches)

Christopher Knowles
Untitled, 1992
Marker on canvas
45,7 × 61 cm (18 × 24 inches)

Ataru SATO
Serious Injury, 2010
Pencil, coloured pencil and ink on paper
23 × 20,6 cm (9 × 8 inches)

Ataru Sato
His Sea, 2014
Pencil, coloured pencil and ink on paper mounted on panel
84,1 × 59,4 cm (33 × 23 3/8 inches)

Rosa Loy
Geduld, 2017
Casein on canvas
70 × 55 cm (27 1/2 × 21 5/8 inches)

Guillaume Bijl
The Chair of Maria Callas (A souvenir From The 20th Century), 2015
Mixed media
185 × 66 × 80 cm (72 3/4 × 26 × 31 3/8 inches)

Caitlin Keogh
Rampant Vulnerability Small Version, 2017
Acrylic on panel
57.2 × 43.2cm (22.5 × 17 inches)

For the first time since its move to Brussels, Office Baroque will stage an exhibition that runs simultaneously at our downtown and midtown gallery spaces on Bloemenhofplein 5 Place du Jardin aux Fleurs and Ravensteinstraat 44 Rue Ravenstein. The exhibition Fleming Faloon takes its title from the 1963-64 film by Owen Land and is entirely devoted to portraits. In Land’s film, the image of a staring TV presenter is subjected to a series of manipulations, questioning the optical ambiguity of cinema and the projected image and its resistance to time. This first 16mm film by Land was a source of inspiration for Andy Warhol’s Screen Tests. The exhibition will feature work by twenty seven artists.