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Fleming Faloon

JULIETTE BLIGHTMAN, SASCHA BRAUNIG, MATHEW CERLETTY, JESSE CHAPMAN, JAN DE COCK, KEITH FARQUHAR, PAUL JOOSTENS, DOROTA JURCZAK, ROSA LOY, LEIGH LEDARE, DANIEL SINSEL, LEON SPILLIAERT, MATTHEW WONG
1 June 15 July 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

installation view Fleming Faloon
Office Baroque, Brussels, 2017

Léon Spilliaert
Untitled, 1920
Watercolor and pencil on paper
56 × 38 cm (22 × 15 inches)

Daniel Sinsel
Untitled, 2007
Oil on canvas
31,5 × 24,5 cm (12 3/8 × 96 3/8 inches)

Sascha Braunig
Rack, 2017
Oil on canvas
40,6 × 30,8 × 2,5 cm (16 × 12 1/8 × 1 inches)

Dorota Jurczak
Brahma, 2014
Vinyl paint and ink on canvas
120 × 80 cm (47 1/8 × 31 3/8 inches)

Matthew Wong
Narcissus, 2017
Oil on canvas
71,1 × 55,9 cm (28 × 22 inches)

Jesse Chapman
The Lash, 2017
Oil on linen
30,5 × 25,4 cm (12 × 10 inches)

Juliette Blightman
Gartenstr. 5, Bremerhaven, 2013
Graphite on paper
24 × 16,5 cm (9 3/8 × 6 3/8 inches)

Juliette Blightman
Badstr. 66, Berlin, 2013
Graphite on paper
24 × 16,5 cm (9 3/8 × 6 3/8 inches)

Juliette Blightman
Barbara Gladstone, Brussels, 2013
Graphite on paper
24 × 16,5 cm (9 3/8 × 6 3/8 inches)

Juliette Blightman
Cerith Wyn Evans, Norfolk, 2013
Graphite on paper
24 × 16,5 cm (9 3/8 × 6 3/8 inches)

Juliette Blightman
Fürstenberg, Donaueschingen, 2013
Graphite on paper
24 × 16,5 cm (9 3/8 × 6 3/8 inches)

Juliette Blightman
George and Dragon, London, 2013
Graphite on paper
24 × 16,5 cm (9 3/8 × 6 3/8 inches)

Leigh Ledare
Glossy, 2002
Silver gelatin print
33 × 22,9 cm (12 3/8 × 9 inches)

Rosa Loy
Fragil, 2013
Casein on canvas
130 × 110 cm (51 1/8 × 43 1/4 inches)

Paul Joostens
Untitled, n.d.
Oil on canvas
68 × 52,5 × 3,5 cm (26 3/4 × 20 5/8 × 1 3/8 inches)

Mathew Cerletty
New Shirt, 2017
Colored pencil on paper (framed)
48,3 × 48,3 cm (19 × 19 inches)

Jan De Cock
Memorial Icon #1, 2015
Wood (composite and plywood), gesso (mix chalk and glue), bolus (poliment), gold leaf (23,75 karat), print
68,8 × 55,6 × 7,4 cm (27 1/16 × 21 7/8 × 2 7/8 inches)

Keith Farquhar
Pacific, 2009-2011
Edition 1/3 + 1 AP
Inkjet on computer-cut card with flat-pack cardboard plinth
54,4 × 35 cm (21 3/8 × 13 3/4 inches) with plinth

For the first time since its move to Brussels, Office Baroque will stage an exhibition that runs simultaneously at our downtown and midtown gallery spaces on Bloemenhofplein 5 Place du Jardin aux Fleurs and Ravensteinstraat 44 Rue Ravenstein. The exhibition Fleming Faloon takes its title from the 1963-64 film by Owen Land and is entirely devoted to portraits. In Land’s film, the image of a staring TV presenter is subjected to a series of manipulations, questioning the optical ambiguity of cinema and the projected image and its resistance to time. This first 16mm film by Land was a source of inspiration for Andy Warhol’s Screen Tests. The exhibition will feature work by twenty seven artists.