Ingrid Castelein
COBRA
Georgia Dickie

16 September - 21 October 2023
Office Baroque, Antwerp

Office Baroque is pleased to bring work together by three artists around pattern, space and the ready-made.

Belgian painter Ingrid Castelein (°1953, Deinze) has combined figuration and abstraction in a rigorous artistic practice for the past 40 years. To approach pictorial space, Castelein uses a sense of aerial landscape as one of many starting points. Guided by intuition, spontaneity and experimentation and making few marks, she creates colourful, contemplative abstract mappings of places and connected feelings, energies and memories. She uses the metaphor of "piling" to describe spatial and cognitive organisation in her work. Castelein studied painting and sculpture at Kunstacademie Gent and has started exhibiting her work at the end of the 1970's. Recent exhibitions include valerie_traan, Antwerp and mudel, Museum of Deinze and the Leie region.

COBRA's (°1981, Tokyo) recent artistic practice circles around an ongoing series titled Bird Gallery for Bird that features miniature paintings of eggs, nested inside birdcages. Ron Ewert, in a recent essay for Bellwether, noted that "of primary concern to COBRA, is the human relationship with animals, who both share the same basic needs and desires; food, shitting, shelter, sex. The key differences between birds and people, as presented by COBRA, are the appreciation of aesthetics, recreation (though this is debatable), and the conceptualization of time and freedom." Nested inside cages, these ready-made spaces act like miniature anatomical theatres where we contemplate our past and our future.
COBRA is also the founder of XYZ Collective, an artist run gallery based in Tokyo, Japan. He received his BFA from Tama Art University, Tokyo, Japan. He has extensively exhibited in Japan as well as at 356 Mission Rd, Los Angeles;Springsteen, Baltimore, USA; The Apartment, Vancouver; Brennan & Griffin, New York; Shane Campbell Gallery, Chicago; Freedman Fitzpatrick; Los Angeles, Lambdalambdalambda, Prishtina, among others.

Georgia Dickie (°1989, Toronto) makes sculptural work out of found objects that she collects as part of an ever-growing "inventory" of urban debitage. For the past decade, this inventory has maintained a process-oriented practice that highlights her hands-on dedication to the humblest materials. Dickie's process of reassembling these materials into new arrangements is based on a logic of eschewing and rebalancing their assigned functions. By staging these intricate assemblages, she not only reveals the inherent limitations of material value and meaning, but subverts the ways we are conditioned to see the world in a for-profit, essentialising society, and points towards new potentials that emerge from environmental consciousness.

Dickie's most recent body of work utilises discarded cardboard boxes that self-contain collage and sculptural assemblage made predominantly from scavenged detritus. The works function as vessels that both contain and allow the work's content to be transported, blurring the lines that divide form and content. While continuing an ongoing practice that amasses otherwise discarded materials for her "inventory" more recently, the journey between home and studio has narrowed. This narrowing informs the scale and content of this new, more intimate series of work. Often appearing precarious in their assembly, in these works Dickie focuses on smaller, intricate fragments of material information, affixing matter inside each box.

Georgia Dickie earned her BFA from the Ontario College of Art and Design University in 2011. She was one of the recipients of the 2020 Sobey Art Award, and the 2014 winner of the Toronto Friends of the Visual Arts Artist Prize. She has participated in solo and group exhibitions internationally including Soft Opening, London; Fragment Gallery, Moscow; Oakville Galleries, Oakville; Rolando Anselmi, Berlin; Jeffrey Stark, New York; Night Gallery, Los Angeles; Springsteen Gallery, Baltimore; and Art Museum of University of Toronto, The Power Plant, Museum of Contemporary Canadian Art, Cooper Cole, Toronto. Recently, she was awarded a Visual Arts Fellowship at the Fine Arts Work Center in Provincetown, USA. She has served as artist-in-residence at Est Nord Est, résidence d'artistes, Québec and the Canada Council Residency at Acme Studios, London, UK.

All installation views: Pieter Huybrechts

Ingrid Castelein
Venster nr. 6, 2020-2023, Oil and acrylic on canvas, 100 x 70 cm

COBRA
Story of egg (bird gallery for bird)
, 2023, Bird cage, acrylic on canvas, hay, feathers, eucalyptus branches, 56 x 57 x 36 cm

Georgia Dickie
Open in Total (juices), 2023, Cardboard box with found cardboard, pencil, paint, pencil crayon, and paper collage, 51.4 x 45.1 x 12.7 cm

Installation view “Castelein, COBRA & Dickie”, Office Baroque, Antwerpen

Ingrid Castelein
Onderzoek lijnen, 1999, Oil on canvas, 24 x 30 cm

Installation view “Castelein, COBRA & Dickie”, Office Baroque, Antwerpen

Ingrid Castelein
Venster 2, 2021, Oil and acrylic on canvas, 40 x 30 Cm

Installation view “Castelein, COBRA & Dickie”, Office Baroque, Antwerpen

Installation view “Castelein, COBRA & Dickie”, Office Baroque, Antwerpen

Georgia Dickie
Stems, 2022, Cardboard box with found objects, squashed plastic balls, discarded coffee cup, cardboard, paper, and print media, 39.4 x 34.3 x 17.8 cm

Installation view “Castelein, COBRA & Dickie”, Office Baroque, Antwerpen

Georgia Dickie
Go Live, 2022, Cardboard box with found coffee cup and cardboard, paper towel, paint, and red label tape, 55.9 x 54.6 x 19 cm

Installation view “Castelein, COBRA & Dickie”, Office Baroque, Antwerpen

Installation view “Castelein, COBRA & Dickie”, Office Baroque, Antwerpen

Installation view “Castelein, COBRA & Dickie”, Office Baroque, Antwerpen

COBRA
Story of egg (bird gallery for bird), 2023, Bird cage, acrylic on canvas, hay, feathers, eucalyptus branches, 49 x 34 x 31 cm

COBRA
Story of egg (bird gallery for bird), 2023, Bird cage, acrylic on canvas, hay, feathers, eucalyptus branches, 49 x 34 x 32 cm

Installation view “Castelein, COBRA & Dickie”, Office Baroque, Antwerpen