John Divola

John Divola (Los Angeles, USA 1949) lives and work in Los Angeles, USA. He holds a BA from California State University, Northridge and a MFA from University of California, Los Angeles.

Divola’s work has been the subject of international exhibitions, most recently at Los Angeles County Museum of Art; Santa Barbara Museum of Art; Joslyn Art Museum, Omaha; Kunstverein Freiburg. His work is part of the collections of the J.Paul Getty Museum, Los Angeles; Museum of Modern Art, New York; Fotomuseum Winterthur; Victoria and Albert Museum, London, among many others.

John Divola, As Far As I Could Get, installation view LACMA, Los Angeles, 2012

John Divola, As Far As I Could Get, installation view LACMA, Los Angeles, 2012

John Divola.

Since the 1970s, John Divola has used photography to explore themes of neglect and disuse in his native Southern California. Throughout his multi-dimensional practice, Divola has often used uninhabited structures and the surrounding environment as studio for his own idiomatic work. Divola’s career spans over four decades, focusing on the conceptions and limitations of photography. Although the physical subjects that John Divola photographs range from buildings to landscapes to objects in the studio, his concerns are conceptual: they challenge the boundaries between fiction and reality, as well as the limitations of art to describe life.

John Divola, Zuma #25, 1978/2006. Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #25, 1978/2006. Archival pigment on rag paper
61 x 76,2 cm (24 x 30 in)

 
John Divola, Zuma #52, 1978/2006. Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #52, 1978/2006. Archival pigment on rag paper
61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #21, 1978/2006, Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #21, 1978/2006, Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #73, 1978/2006, Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #73, 1978/2006, Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, As Far As I Could Get, 1996/1997 Epson 11880, Ultrachrome Pigment, Museo Silver Rag 81.3 x 55.9 cm (32 x 22 in)

John Divola, As Far As I Could Get, 1996/1997
Epson 11880, Ultrachrome Pigment, Museo Silver Rag
81.3 x 55.9 cm (32 x 22 in)

 
John Divola, As Far As I Could Get, 1996/1997 Epson 11880, Ultrachrome Pigment, Museo Silver Rag 81.3 x 55.9 cm (32 x 22 in)

John Divola, As Far As I Could Get, 1996/1997
Epson 11880, Ultrachrome Pigment, Museo Silver Rag
81.3 x 55.9 cm (32 x 22 in)

John Divola, Abandoned Painting C Archival pigment print 44 x 54 in

John Divola, Abandoned Painting C
Archival pigment print
44 x 54 in

 
 
John Divola, Abandoned Painting I Archival pigment print 44 x 54 in

John Divola, Abandoned Painting I
Archival pigment print
44 x 54 in

John Divola, Dogs Chasing My Car in the Desert, D13F11, 1996-98. Gelatin silver print, 20 x 24 in

John Divola, Dogs Chasing My Car in the Desert, D13F11, 1996-98. Gelatin silver print, 20 x 24 in

John Divola, Dogs Chasing my Car in the Desert, D07F30, 1996/2001 Gelatin silver print, 50.8 x 61 cm

John Divola, Dogs Chasing my Car in the Desert, D07F30, 1996/2001
Gelatin silver print, 50.8 x 61 cm

 
 
John Divola, Dogs Chasing my Car in the Desert, D29F06, 1996-98 Gelatin silver print, 20 x 24 in

John Divola, Dogs Chasing my Car in the Desert, D29F06, 1996-98
Gelatin silver print, 20 x 24 in

John Divola, Dyptichs / Untitled (83DPT10) Fan & Ice, 1983 Vintage Cibachrome print 50.8 x 61 cm, 20 x 24 in

John Divola, Dyptichs / Untitled (83DPT10) Fan & Ice, 1983
Vintage Cibachrome print 50.8 x 61 cm, 20 x 24 in

John Divola, Isolated Houses, N34°14.383’W116°14.758’, 1995-98, HP Vivera Pigment on Epson Exhibition Fiber, 61 x 50.8 cm (24 x 20 in)

John Divola, Isolated Houses, N34°14.383’W116°14.758’, 1995-98, HP Vivera Pigment on Epson Exhibition Fiber, 61 x 50.8 cm (24 x 20 in)

John Divola