John Divola

John Divola (Los Angeles, USA 1949) lives and work in Los Angeles, USA. He holds a BA from California State University, Northridge and a MFA from University of California, Los Angeles.

Divola’s work has been the subject of international exhibitions, most recently at Los Angeles County Museum of Art; Santa Barbara Museum of Art; Joslyn Art Museum, Omaha; Kunstverein Freiburg. His work is part of the collections of the J.Paul Getty Museum, Los Angeles; Museum of Modern Art, New York; Fotomuseum Winterthur; Victoria and Albert Museum, London, among many others.

John Divola, As Far As I Could Get, installation view LACMA, Los Angeles, 2012

John Divola, As Far As I Could Get, installation view LACMA, Los Angeles, 2012

John Divola.

Since the 1970s, John Divola has used photography to explore themes of neglect and disuse in his native Southern California. Throughout his multi-dimensional practice, Divola has often used uninhabited structures and the surrounding environment as studio for his own idiomatic work. Divola’s career spans over four decades, focusing on the conceptions and limitations of photography. Although the physical subjects that John Divola photographs range from buildings to landscapes to objects in the studio, his concerns are conceptual: they challenge the boundaries between fiction and reality, as well as the limitations of art to describe life.

John Divola, Zuma #25, 1978/2006. Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #25, 1978/2006. Archival pigment on rag paper
61 x 76,2 cm (24 x 30 in)

 
John Divola, Zuma #52, 1978/2006. Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #52, 1978/2006. Archival pigment on rag paper
61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #21, 1978/2006, Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #21, 1978/2006, Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #73, 1978/2006, Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, Zuma #73, 1978/2006, Archival pigment on rag paper 61 x 76,2 cm (24 x 30 in)

John Divola, As Far As I Could Get, 1996/1997 Epson 11880, Ultrachrome Pigment, Museo Silver Rag 81.3 x 55.9 cm (32 x 22 in)

John Divola, As Far As I Could Get, 1996/1997
Epson 11880, Ultrachrome Pigment, Museo Silver Rag
81.3 x 55.9 cm (32 x 22 in)

 
John Divola, As Far As I Could Get, 1996/1997 Epson 11880, Ultrachrome Pigment, Museo Silver Rag 81.3 x 55.9 cm (32 x 22 in)

John Divola, As Far As I Could Get, 1996/1997
Epson 11880, Ultrachrome Pigment, Museo Silver Rag
81.3 x 55.9 cm (32 x 22 in)

John Divola, Abandoned Painting C Archival pigment print 44 x 54 in

John Divola, Abandoned Painting C
Archival pigment print
44 x 54 in

 
 
John Divola, Abandoned Painting I Archival pigment print 44 x 54 in

John Divola, Abandoned Painting I
Archival pigment print
44 x 54 in

John Divola, Dogs Chasing My Car in the Desert, D13F11, 1996-98. Gelatin silver print, 20 x 24 in

John Divola, Dogs Chasing My Car in the Desert, D13F11, 1996-98. Gelatin silver print, 20 x 24 in

John Divola, Dogs Chasing my Car in the Desert, D07F30, 1996/2001 Gelatin silver print, 50.8 x 61 cm

John Divola, Dogs Chasing my Car in the Desert, D07F30, 1996/2001
Gelatin silver print, 50.8 x 61 cm

 
 
John Divola, Dogs Chasing my Car in the Desert, D29F06, 1996-98 Gelatin silver print, 20 x 24 in

John Divola, Dogs Chasing my Car in the Desert, D29F06, 1996-98
Gelatin silver print, 20 x 24 in

John Divola, Dyptichs / Untitled (83DPT10) Fan & Ice, 1983 Vintage Cibachrome print 50.8 x 61 cm, 20 x 24 in

John Divola, Dyptichs / Untitled (83DPT10) Fan & Ice, 1983
Vintage Cibachrome print 50.8 x 61 cm, 20 x 24 in

John Divola, Isolated Houses, N34°14.383’W116°14.758’, 1995-98, HP Vivera Pigment on Epson Exhibition Fiber, 61 x 50.8 cm (24 x 20 in)

John Divola, Isolated Houses, N34°14.383’W116°14.758’, 1995-98, HP Vivera Pigment on Epson Exhibition Fiber, 61 x 50.8 cm (24 x 20 in)

John Divola

 
  • Born 1949, Los Angeles, USA.

    Lives and works in Los Angeles, USA

  • 1971 BA California State University, Northridge

    1973 MA University of California, Los Angeles

    1974 MFA University of California, Los Angeles

  • 2022 John Divola, Yancy Richardson Gallery, NYC, USA

    2021 Brugge Photo Festival, Brugge, BE

    John Divola: I'm Not There, 2/3 galeria, Bucuresti, RU

    John Divola, Zuma, Palm Springs Art Museum, USA

    2019 Vandalism, Robert Morat Galerie, Berlin, DE

    Isolated Houses, Office Baroque, Brussels, BE

    STRATUM/Clive Wearing’s Dilemma, California Museum of Photography, Riverside, USA

    2018 John Divola, Joslyn Art Museum, Omaha, USA

    2017 Physical Evidence, Gallery Luisotti, Santa Monica, CA

    John Divola, Time to Stop, Gallery Pedro Alfacinha, Lisbon, PT

    The Green of This Notebook, Maccarone Gallery, NYC

    2016 Dents And Abrasions, Gallery Luisotti, Santa Monica, CA

    Theodore Street Project, Maccarone Gallery, NYC

    2015 Despite Intentions, Pedro Alfacinha Gallery, Lisbon, PT

    2014 Clive Wearing’s Dilemma, Wallspace Gallery, NY

    2013 Echo Chamber, Gallery Luisotti, Santa Monica, USA

    Sand for the Desert, Photo Levallois, Levallois, France

    John Divola: As Far As I Could Get, Santa Barbara Museum of Art

    John Divola: As Far As I Could Get, Los Angeles County Museum of Art

    John Divola: As Far As I Could Get, Pomona College Museum of Art, CA

    2012 Dogs Chasing My Car in the Desert, Laura Bartlett Gallery, London, UK

    Surface Conditions: The Photographs of John Divola, Kunstverein Freiburg, DE

    Notes on the Observer, Gallery Luisotti, Santa Monica

    2011 John Divola: Vandalism, LAXART, Los Angeles, CA

    Trees of the Forest, Wallspace Gallery, New York, NY

    Present Tense, Riverside Art Museum, USA

    2010 The Green of this Notebook, LAXART, Los Angeles, USA

    2009 Dark Star, Gallery Luisotti, Santa Monica, USA

    2007 G.Gibson Gallery, Seattle, USA

    Edenhurst Gallery, Palm Desert, USA

    2006 Charles Cowles Gallery, NYC, USA

    Patricia Faure Gallery, Los Angeles, USA

    2005 Arles Recontres De La Photographie, Espace Van Gogh, Arles, FR

    Artificial Nature, G.Gibson Gallery, Seattle, USA

    2004 Charles Cowles Gallery, New York, USA

    2003 Patricia Faure Gallery, Los Angeles, USA

    2001 Los Angeles Panoramas, Marella Arte Contemporanea, Milano, IT

    Patricia Faure Gallery, Los Angeles, USA

    Isolated Houses, Janet Borden Gallery, NYC, USA

    Palm Springs Museum of Art, Jorgensen Gallery, USA

    2000 Patricia Faure Gallery, Los Angeles, CA

    1999 G. Gibson Gallery, Seattle, USA

    Continuity, Blue Sky Gallery, Portland, OR

    1998 Patricia Faure Gallery, Los Angeles

    1997 Wooster Gardens, New York

    Jessica Fredericks Gallery, New York

    1996 Rena Bransten Gallery, San Francisco, USA

    1995 Patricia Faure Gallery, Los Angeles, CA

    Wooster Gardens, New York

    Seven Song Birds and a Rabbit, Jan Kesner gallery, Los Angeles, USA

    1994 Southern Illinois University at Carbondale, Carbondale, USA

    1993 G. Gibson Gallery, Seattle, USA

    1992 Part II: Large Scale Photography Work, Jan Kesner gallery, Los Angeles, USA

    Part I: 4 Landscapes, Jan Kesner gallery, Los Angeles, USA

    Jayne Baum Gallery, New York, USA

    Rewdex Contemporary Art Gallery, Kyoto, JP

    1990 Galerie Niki Diana Marquardt, Paris, FR

    1987 Seibu Gallery, Tokyo, JP

    Gallery Min, Tokyo, JP

    1986 Jayne Baum Gallery, New York

    1985 John Divola: Selected Work, 1974-85, Los Angeles Municipal Art

    Gallery, Barnsdall Park, CA, USA

    1983 The Center for Creative Photography, University of Arizona, Tucson, AZ, USA

    1982 University of New Mexico Art Museum, Albuquerque, NM, USA

    1981 Gallerie Del Cavallino, Venice, IT

    1980 The Photographers Gallery, Melbourne, AU

    1979 Henry Gallery, University of Washington, Seattle, USA

    Camera Obscura, Stockholm, SE

    Print Galleri, Copenhagen, DK

    1978 Los Angeles Institute of Contemporary Art, Los Angeles

    Image Gallery, Aarhus, DK

    1976 The Center for Creative Photography, University of Arizona, Tucson, AZ, USA

    1975 Visual Studies Workshop, Rochester, NY, USA

  • Addison Gallery of American Art, Phillips Academy, Andover MA

    American Museum of the Moving Image, NY

    Amon Carter Museum, Fort Worth, Texas

    Art Institute, Chicago, Illinois

    Australian National Gallery

    Autry National Center: Museum of the American West, LA, California

    University Art Gallery, University of California, Berkeley, California

    Benton Museum of Art, Pomona College, Californai

    Bibliotheque Nationale, France

    Canadian Center for Architecture

    Carnigie Institute, Detroit, Michigan

    Center for Creative Photography, University of Arizona, Tucson, Arizona

    Chapman University Collection of Art, Orange, California

    Chicago Art Institute, Chicago, Illinois

    Center for Creative Photography, University of Arizona, Tucson, Arizona

    Centre Georges Pompidou, Paris, France

    Centro de Arte de Salamanca, Salamanca, Spain

    Centro Galego De Arte Contemporana, Spain

    Crocker Art Museum, Sacramento, Californi

    Denver Art Museum, Denver, Colorado

    Detroit Institute of Arts, Michigan

    de Young Museum, San Francisco, California

    Fogg Museum of Art, Harvard University, Cambridge, Mass.

    Fotomuseum Winterthur, Winterthur, Switzerland

    Getty Museum, Los Angeles, California

    Haggerty Museum, Marquette University

    Henry Art Gallery, Seattle, WA

    High Museum of Art, Atlanta, Georgia

    Josslyn Museum of Art, Omaha, Nebraska

    Kiyosato Museum of Photographic Art, Tokyo, Japan

    Krannart Art Center, University of Illinois, Champain, Illinois

    Los Angeles County Museum of Art, Los Angeles, California

    Madison Art Center, Madison, Wisconsin

    Minneapolis Institute of Art, Minnesota

    Mitchell Museum, Mt. Vernon, Illinois

    Metropolitan Museum of Art, New York, New York

    Milwaukee Art Museum, Milwaukee, Wisconsin

    Museo de Serralves, Spain

    National Museum of American Art, Smithsonian Institution, Washington D.C.

    National Gallery of Australia

    Nelson Atkins Museum, Kansas City, MO

    Newport Harbor Art Museum, Newport Beach, California

    Palm Springs Art Museum, California

    Philadelphia Art Museum, Pennsylvania

    Picker Art Gallery. Colgate University, Hamiliton, NY

    Pomona College Museum of Art. Claremont, California

    Portland Art Museum. Portland, Oregon

    Princeton University Art Museum, Princeton, New Jersey

    Rhode Island School of Design Museum, Providence, Rhode Island

    San Francisco Museum of Modern Art, San Francisco, California

    Santa Barbara Museum of Art, Santa Barbara, California

    Seattle Art Museum, Seattle, Washington

    Sheldon Museum of Art, Lincoln, NE

    Smithsonian American Art Museum, Washington, D.C.

    Spencer Museum of Art, University of Kansas

    St. Louis Art Museum, St. Louis, Missouri

    Tate Museum of Art, London, United Kingdom

    The International Museum of Photography, George Eastman House, Rochester, New York

    The Museum of Contemporary Art, Los Angeles

    The Museum of Fine Arts, Houston, Texas

    The Museum of Modern Art, New York, New York

    The New Orleans Museum of Art, New Orleans, Louisiana

    The University of California, Los Angeles, Grunwald Center, L.A., California

    Tokyo Metropolitan Museum, Tokyo, Japan

    Tokyo Photographic Art Museum, Tokyo, Japan

    UCLA Hammer Museum, Los ANgeles, California

    UC Riverside, California Museum of Phototgraphy

    University Art Museum, University of New Mexico, Albuquerque, New Mexico

    Verginia Museum of Fine Art

    Victoria and Albert Museum, London, England

    Washington Consortium, Bellingham, Wahington

    Whitney Museum of Art, New York, New York

  • Divola John, Scapes, Skinnerboox, 2022

    Divola John, Terminus, Mack Books, 2021

    Divola John, Chroma, 80 pages, Skinnboox, 2020

    Divola John, Vandalism, 120 pages, Mack Books, 2018

    Divola John, John Divola: San Fernando Valley, 46 duotone plates, 60 pages, Nazareli Press, 2014

    Divola John, As Far As I Could Get, Karen Sinsheimer, Brett Salveson, Kathleeen Howe, Santa Barbara Museum of Art, LA County Art Museum, Pomona College Museum of Art, 224 pages, Prestel, 2013

    Divola John, Supermarket, Nazraeli Press One Picture Book #81, 7 duotone plates, 1 original photograph, 16 pages, 2013

    Divola John, LAXNAZ, original artwork, 22 plates, 32 pages, limited edition of 100, Nazraeli Press, 2011

    Divola John, The Green of this Notebook, Original Artwork, 41 four color plates, 44 pages, Nazraeli Press, 2009

    Divola John, 7 Dogs, Nazraeli Press One Picture Book #45, 7 Images Original Artwork, 20 pages, 2007

    Divola John, As Far As I Could Get, 13 images, 28 pages, Farewell Books, 2007

    Divola John, Three Acts, book of original artwork ,essay by David Campany, interview by Jan Tumlir, 144 pages, Aperture, NY (May 2006)

    Divola John, Dogs Chasing My Car In The Desert, book of original artwork , 48 pages with 20 duotone plates, Nazraeli Press, 2004

    Divola John, Isolated Houses, book of original artwork with essay by Jan Tumlir, 48 pages with 24 color plates, Nazraeli Press, 2000

    Divola John Continuity, book published by RAM Publications and Smart Art Press 1998

    Divola John, John Divola, book of original artwork with essay by Mark Johnstone, 89 pages, Gallery Min, Tokyo, Japan 1987

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