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Interpretations, Tokyo

Curated by Dries Van Noten
Gerard de Lairesse, Yuumi Domoto, Mika Ninagawa, Daisuke Ohba, Masaho Anotani, Naho Ishii, Ataru Sato
29 31 March 2019
Hara Museum of Contemporary Art

Installation views INTERPRETATIONS, TOKYO curated by Dries Van Noten
Hara Museum of Contemporary Art, Tokyo
Photography: Kiruke Watanabe

Installation views INTERPRETATIONS, TOKYO curated by Dries Van Noten
Hara Museum of Contemporary Art, Tokyo
Photography: Kiruke Watanabe

Installation views INTERPRETATIONS, TOKYO curated by Dries Van Noten
Hara Museum of Contemporary Art, Tokyo
Photography: Kiruke Watanabe

Ataru Sato, A dispute between Achilles and Agamemnon, 2019
Installation views at Hara Museum of Contemporary Art, Tokyo
Photography: Kiruke Watanabe

Installation views INTERPRETATIONS, TOKYO curated by Dries Van Noten
Hara Museum of Contemporary Art, Tokyo
Photography: Kiruke Watanabe

Installation views INTERPRETATIONS, TOKYO curated by Dries Van Noten
Hara Museum of Contemporary Art, Tokyo
Photography: Kiruke Watanabe

Ataru Sato, Goddess, 2019
Installation views at Hara Museum of Contemporary Art, Tokyo
Photography: Kiruke Watanabe

Installation views INTERPRETATIONS, TOKYO curated by Dries Van Noten
Hara Museum of Contemporary Art, Tokyo
Photography: Kiruke Watanabe

The Hara Museum of Contemporary Art and Dries Van Noten are proud to present INTERPRETATIONS, TOKYO a limited three-day exhibition featuring paintings by Gerard de Lairesse (1640-1711), an artist who was contemporaneous with Rembrandt, and the works of six Tokyo-based artists.

In this show, two large paintings by de Lairesse comprising vivid and dynamic depictions of Greek mythological themes are brought together with the works created by the Japanese artists as interpretations of the two Lairess canvass’. A dialog that transcends the boundaries of time, country, and medium is established.

The inception of this exhibition dates back ten years ago when Dries Van Noten, the fashion designer known for his love of art, sought to instigate a fusion of Japanese and European cultures by commissioning cutting-edge artists from Japan to create works based on an interpretation of two 17th century paintings in his collection. The artists that he chose were the painter Yuumi Domoto and photographer Mika Ninagawa. Looking back, Ninagawa spoke of Van Noten’s stipulation that the produced art be the same size as de Lairesse’s paintings and monochromatic and how that stipulation led to the opening of a new frontier for her- the making of “monochromatic flowers.”

Ten years later, with the show set to appear at the Hara Museum, three more artists were asked to create work that would open up new dialogs with de Lairesse’s work: Masaho Anotani, Naho Ishii and Ataru Sato. As he did ten years ago, Dries Van Noten made the final selection of artists himself. Appearing in the exhibition are the two paintings by Lairesse that were the basis for Drie’s idea, the four initial works made ten years ago, and new works made specifically for the present show.